Sean Maguire - Leonidas

Carmen Electra - Queen Margo
Kevin Sorbo - Captain

Release date:21/03/08

Running Time: 1hr 24mins

I don't exaggerate when I say that if you pay money to go to see this film then you are directly contributing to the decline and fall of Western Civilisation. Plato and Sophocles, Marcus Aurelius and Virgil, Aquinas and Dante, JS Mill and Dickens, Bertrand Russell and TS Eliot - just consider the long line of great philosophers and artists that ends now, in 2008, with Paris Hilton and Jason Friedberg & Aaron Seltzer.

Hard as it may believe these two men are happy to take credit not only for this atrocity but for Date Movie, Epic Movie and Scary Movie, which represent the pickings of puerile trash from this decade's celluloid garbage can.

 

Following 300's plot 'faithfully' Leonidas, a butch Spartan, assembles an elite 13 warriors headed by Kevin Sorbo (remember Hercules on Sky? Didn't think so) and marches to war against Xerxes who attacks them with wave after wave of celebrity culture 'parody'.

 

Sean Maguire (used to be inEastenders) badly tries to imitate Gerard Butler's gruff hero King Leonidas while Carmen Electra (used to be topless) stands around in various states of undress as the Spartan Queen. The problem once again is that this 'franchise' parodies a film that was already funny to begin with, and does it armed with an arsenal of no brains and less jokes.

 

Friedberg and Seltzer have decided that the homo-eroticism of 300 is a goldmine for comedy. It might be if this was a 1971 'comedy' and 300 had been remotely serious, but 300 is a riot of a film with more tongue in cheek bombast than Brian Blessed at a Flash Gordon convention. This cost very little to make, Saturday Night Live sketches have a bigger budget, but these films are so bad they don't even belong on SNL; which would be the obvious home for even one good sketch that cleverly restaged a single scene of a film. Instead we get 300 with penguins, fart jokes and various horrible things being spat and regurgitated into faces.

There are no jokes in this film. Not one, there are no intentional laughs to be had. The hilarity of this film such as it is comes from the fact that it turns its audience into anthropologists. We are in a strange world trying to recognise when the members of a tribe called 'actors' are delivering a 'punchline' - a ritual found in members of a sub-culture called 'comedians' - to indicate that a physical response of joviality has now been earned. Usually there is a minor pause between lines to indicate a real zinger is on its way, this is followed by a longer pause to allow for laughter by the audience, so that ensuing dialogue is not drowned out by the sounds of mirth. Needless to say these pauses are totally unnecessary…

Fergal Casey